Sky Woman

Celtic and Native-American Spirit

"The Sky Woman―a celestial spirit said to inspire poets and artists."

"She is so bright, so stately, the poet imagines her one of the immortals. Is she Deirdre? or Gearnait? or is she Helen? or Venus?"

Dan Mahony, M.Phil.

 

 

 

 

 

 

 

 

 

 

 

August 17, 1995—Killarney. Gathering at the Sky Woman memorial to the four great Kerry poets: Ferriter, O'Donoghue, O'Rahilly and O'Sullivan.

More Sky Woman Images

 

August 17, 1995. Conradh na Gaeilge members from all over the county gathered at the Speirbhean monument on Fair Hill on Thursday to commemorate four of the great Kerry poets: Pierce Ferriter, Geoffrey O'Donoghue, Aodhagán O Rathaile and Owen Roe O’Suilleabháin.

Driven by the politics of the day when the old ways were under threat by the Cromwellites, and finally defeated, they wrote of matters of nationhood and of the tragedy of oppression.

To his misfortune, Pierce Ferriter (1600-1653) an aristocrat, musician and scholar from Ballyferriter, was hanged for his part in the resistance against the Cromwellian order.

Also known as "The Gentleman harper of Kerry," Ferriter was a keen harpist. Appropriately, Killarney harpist. Marina Cassidy played at the commemoration while Killarney Conradh member, Bernard Long remembered the man through his poetry and life.

The celebration was then followed up at Muckross Abbey where the other three poets are buried.

With the death of Ferriter, it was Ieft to Geoffrey O'Donoghue of the Glens―also a Prince―to carry on the fine tradition of poetry in the Kingdom until his death in 1677.

John O'Donoghue, principal of the Glenflesk National School paid tribute to him at the Muckross Abbey commemoration while Fr. Tom Looney paid his dues to Aodhagán Rathaile, the Sliabh Luchra poet, born in 1675 at the close of the old order. The Wild Geese had flown, The Penal Laws had come into being.

AISLING

Out of this misery, O Rathaile devised a new poetic form called the Aisling, meaning vision. In the Aisling, Ireland comes to the poet as a woman―a Speirbhean―in which she bemoans her state.

Owen Roe O'Suilleabháin was the "last of the four". Also from Sliabh Luachra, he was a poor peasant's son and a wild roving, drinking and wenching fellow to boot. A complete contrast to the three who went before him he was, however, a classical scholar, born in 1748 who opened a school at the age of 18 and who became a household name.

His early songs about pretty women and merry making were later over-shadowed by his laments for the still exiled Stuarts; his songs of hope were to bring:' solace to his people as John Stephen O'Sullivan, secondary teacher in Ratrhmore explained during Thursday's commemoration.

The first such gathering in Killarney, Conradh now plan to plan to make it a yearly event; perhaps focusing on a different "great" poet each year.

Local Performance Arts company, Bricriu performed at the commemoration as did Uileann Pipe player, Dave Hegarty and fiddle player, Sean Bradley.

The contingent of about 60, including a plethora of contemporary Killarney and Tralee poets later retired to Molly Darcy to conntinue the reminiscences―in true Owen Roe O Suilleabháin style, no doubt.  The Kingdom, 22 August, 1995, p. 13.

         Fifty-five years ago, the following appeared in The Kerryman: "Killarney, August 17, 1940. Four Kerry Poets Memorial unveiled at Killarney on Lady Day in the presence of a huge concourse of Gaels. Mural plaque at Muckross Abbey."

         Back then Seamus Fenton, retired Deputy Chief Inspector, National Schools, delivered an oration, a short summary of which follows.

         "This splendid commemoration is the culmination of the work we began many years ago, an attempt to keep the poetic children of the Motherland (the Speirbhean) fresh in the memory of the passing generation. We published a booklet, written in his best style by the learned Father Dineen, with a historical and geographical 'setting' by myself. We also emphasised the hope that the great songs, properly taught in the schools, would become a strong force in reviving the disappearing Irish speech.

        "The poets symbolised the Motherland as the Speirbhean to whom all owed homage as ordained in the Fourth great commandment of the Law. The Motherland is our Church temporal, just as the Church is our Motherland for all eternity. Both have the same centre which is God, the same interest which is justice, the same citizens―children with bodies and souls. Our Motherland, which the foreigner taught us to be ashamed of, is the soil which nurtured us, the homes of our ancestors, the souvenirs of our school period, our tradition, our lives, our manners, our liberties, our history and family. A government is not the Motherland. It is only the organisation for conserving in order and security these blessings."

        Fenton also spoke about the burning issue of his day: the gradual disappearance of the Irish language: '''The Irish speech and the Irish people,' wrote Paul Dubois, 'are fleeing the country, the speech at an even greater speed than the people.' The fleeing continues. I visited parts of Kerry recently where half a century ago I got from oral narration high Gaelic literature. Now not an Irish sentence is spoken in homes. There is no region in Ireland where the revival of Irish made such progress a generation ago as in the area with Killarney as its capital. Its annual Gaelic gatherings were a record. They brought from the darkening twilight oblivion leaders of thought like the great Kerry poets, men who sang and preached and fought at the intellectual frontiers of the Gael for hundreds of years. They preached the gospel of the imperishable world of the spirit."

        Others have described An Speirbhean in other ways. Richard Haywood in his In the Kingdom of Kerry, defined her as a "celestial spirit said to inspire poets and artists." Fenton himself in a later work defined her as a symbol with three aspects, "dignity or pride in the glorious past, mother of warriors, the nurse of culture (1950)." 

        Daniel Corkery wrote in The Hidden Ireland, "It was Aogán Ó Rathaille who first makes the vision, the Spéirbhean. The poet, weak with thinking on the woe that has overtaken the Gael, falls into a deep slumber. In his dreaming a figure of radiant beauty draws near. She is so bright, so stately, the poet imagines her one of the immortals. Is she Deirdre? or Gearnait? or is she Helen? or Venus? He questions her, and learns that she is Erin [Ireland]; and her sorrow, he is told, is for her true mate who is in exile beyond the seas.""

        It is interesting to note that a sky woman is also found in the cosmologies of a number of the original nations of North America. In the relgious tradition of the Hodenosonee (named the Iroquois by the white people), Sky Woman fell through a hole in the sky into the dark waters until the birds caught her. The Turtle consented to allow her to rest on his back. She gave birth to a daughter who later gave birth to the twins, good and evil. Meanwhile the animals piled dirt on the Turtle's back until the Earth was made. Hence, the naming of North America as Turtle Island.

        The present site of the Memorial is not its original. The following appeared in the Cork Examiner in May 1975: "Killarney's 'leading lady' was raised recently from her sandy grave across from the Franciscan Friary, where she has been buried for the past 12 months, when she had been removed from her railed­in enclosure at the bottom of the Fair Hill to make room for a new roadway. She has now been resited, only 12 yards from where she stood, at the entrance to the Great Southern Hotel and Killarney railway station."

        The events in Killarney, past and present, serve to remind us of that imperishable world.

Chronological Bibliography

Corkery, Daniel, The Hidden Ireland. Dublin: Gill, 1925.
Dineen, Rev. P.S., Four Notable Kerry Poets. Dublin: Gill, 1929.
The Kerryman
"Kerry's Immortal Poets. The Unveiling of their Memorial on Lady Day. Record hosting of Gaels expected to attend ceremonies at Killamey." 10 August 1940, pp.1,4.
"Four Kerry Poets Memorial Unveiled at Killarney. Mural Plaque at Muckross Abbey." 17 August 1940, p.7.
"Honouring Irish Poets." 24 August 1940, p. 6.
"Four Kerry Poets: Their Work for the Nation." 24 August 1940, p.6.
Fenton, Seamus: "An Speirbhean", 24 August 1940, p.6.
"Poets Dialogue of the Dead in Muckross Abbey." 31 August 1940, p4.
Haywood, Richard: In the Kingdom of Kerry. Dundalk: Tempest, 1946.
Fenton, Seamus: The Peerless Poets of the Kingdom. Tralee: The Kerryman Limited, 1950.
Cork Examiner: "'Speir Bhean' is resited. Killarney's 'leading lady' moved from her railed-in enclosure at the bottom of the Friar Hill to make room for a new roadway." Wed., 7 May 1975.

more Sky Woman images

Native American Cosmology

Sky Woman

In the beginning, there were two worlds: The heavenly world called Ga-lun-la-ti, which was placed high in the heavens, and the lower, dark world where the forces of evil lived. Ga-lun-la-ti was populated with beings in animal, human and plant forms. All creatures spoke the Cherokee language and lived together in harmony. The earth was but a ball of water on which gigantic fish and reptiles lived. The universe of the Cherokees depended on harmony and balance. Light was balanced by dark; things of goodness balanced by things that hid from the light of day in the shadows of the darkness. 

In the beginning there was no sun, but a Great Tree of Life grew in the center of Ga-lun-la-ti. It lit the world so all could see and cast its light down on the dark waters below. So it was that the Creator lived by the Tree of Life where he tended the plants and cared for the animals. Sometimes, the waterfowl, the hawks, and eagles flew down in the darkness below; giant turtles and muskrats swam on the water's surface and bathed in the pale light of the heavenly tree. The Creator led a solitary existence. When his work was done, he sat by the Tree, admiring his world around him and below. Sometimes he became lonely and longed for a companion, perhaps a daughter who would sit beside him in the evening, watching his creation live and grow. 

Then, the Creator made a young lady whose beauty and grace touched his soul. He knew that she, too, would long for someone to run and play with so he created a man in his likeness and taught his children the things that he knew. 

The Creator found that his daughter laughed and sang too much; and she talked constantly. She asked too many questions. Why do the leaves of the Tree of Life shine? Who created the Upper World? Who named the plants? Creator still loved her, for this was his daughter, but this constant laughter and questions, what could he do? 

The Creator had told them many times to stay away from the Tree of Life and not to play around its trunk. But like all curious children she had to see why her father said these things. First Man would insist that she not go to the tree but every day First Woman would climb the tree to its highest limbs. One day she found a hole in the bottom of the trunk and started to go in. First Man was again insistent that she stay away from the tree but to no avail. She went in and fell out of the bottom of Ga-lun-la-ti. 

Creator returned home to find First Woman was missing. He asked First Man "where is my daughter?" to which the young man replied "I told her not to go into the hole in the bottom of the tree, but she would not listen." Creator did not know what to do as he peered over the side of Ga-lun-la-ti and saw his daughter falling toward the awesome ball of water. 

Creator summoned the birds of the sky, to catch his daughter that she might not drown. They created a great blanket with their wings on which they caught her. But, where should they put her? As they flew above the deep waters, the grandfather of all turtles surfaced. "Here, place her on my back," he said. The birds descended with the young woman, henceforth known as "Sky-Woman," and placed her on the surface of her new home. But it was not large enough, the Muskrat volunteered to find land and dove to the bottom of the waters and brought up mud, which he placed on the turtle's back. When she touched the earth that Muskrat had brought, it grew in all directions, becoming the earth that we know today as Turtle Island. The Creator knew that she would need more and so he sent down the plants and animals to take care of his daughter. He sent down the deer, buffalo, bear, rabbits, and squirrels to provide food and clothing. He sent the medicines of the plant people; cedar, sage, bloodroot, oak, and most importantly tobacco. Along with many others things, to provide for his future generation the Kituwah, the Cherokee. 

When the First Woman, or Sky Woman, was happy with this world Creator sent First Man down to help take care of his creation. First man and First Woman were now husband and wife. They were happy and all things were good, but as in all good things bad will come and First Woman and First Man began to fight and argue. 

Harsh words were said on both sides, and finally the wife said that she was leaving. Grabbing a few belongings, she began walking away from First Man. "I am going to find another place to live," she told her husband, "You are lazy and pay no attention to me." In a short time, the husband regretted his harsh words and tried to find his wife so he could apologize. Eventually, he realized that she was too far ahead, and he prayed to the Creator to help him. "Slow her down, Creator, so that I might tell her how much she means to me," he asked. "Is her soul one with yours?" Creator asked. First Man replied "We have been one since the beginning of our time. We have been one since you have breathed life into our souls and we shall remain one until the end of time itself." 

Touched by the man's anguish, the Great Spirit intervened. Seeing the way First Woman was walking he began to make plants grow at her feet to slow her down. To one side grew the blackberries and to the other grew huckleberries, but still she walked on. Again he made the plants grow and to one side grew the gooseberries and to the other grew the serviceberries, but still she walked on. The Creator knew that this would have to slow her down and so he went to his garden and grabbed a handful of strawberry plants and threw them to the earth. When they landed at First Woman's feet they began to bloom and ripen, First Woman looked down to see the beautiful leaves and berries of the strawberry plant and stopped to taste just one small berry. As she plucked and ate the berries she forgot her anger. Finding a basket among her belongings, she quickly filled it, and longed for her husband once more. 

First Man, hurrying on his way, was surprised to see his wife returning, and oh! how his heart did soar. She was smiling! She dipped her hand into her basket, and got a berry and placed it in his mouth. He smiled foolishly, and gave thanks to the Creator. Taking his hand, his wife led him back down the path to their home, feeding him strawberries on the way.

The link to the above has expired. Another version can be found at oneida-nation.net

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

   

© 2000  by danmahony.com